W.A.Mozart：Requiem, K626 (1791)
| 1. | I. Introitus: Requiem | 4’22 |
| 2. | II. Kyrie | 26’20 |
| 3. | III. Sequentia – 1. Dies irae | 1’56 |
| 4. | III. Sequentia – 2. Tuba mirum | 2’49 |
| 5. | III. Sequentia – 3. Rex tremendae | 1’57 |
| 6. | III. Sequentia – 4. Recordare | 4’04 |
| 7. | III. Sequentia – 5. Confutatis | 2’18 |
| 8. | III. Sequentia – 6. Lacrimosa | 3’06 |
| 9. | III. Sequentia – 7. Amen | 0’58 |
| 10. | IV. Offertorium – 1. Domine Jesu | 3’09 |
| 11. | IV. Offertorium – 2. Hostias | 3’15 |
| 12. | V. Sanctus | 1’22 |
| 13. | VI. Benedictus | 5’09 |
| 14. | VII. Agnus Dei | 3’35 |
| 15. | VIII. Communio: Lux aeterna | 5’09 |
Vesperae solennes de confessore, K339 (1780)
| 16. | I. Dixit Dominus (Psalm 109) | 4’09 |
| 17. | II. Confitebor (Psalm 110) | 4’10 |
| 18. | III. Beatus vir (Psalm 111) | 4’45 |
| 19. | IV. Laudate pueri (Psalm 112) | 3’08 |
| 20. | V. Laudate Dominum (Psalm 116) | 4’08 |
| 21. | VI. Magnificat | 4’14 |
| 22. | Tuba mirum from Requiem, alternative version | 2’51 |
Bach Collegium Japan, chorus & orchestra
Carolyn Sampson, soprano
Marianne B. Kielland, mezzo-soprano
Makoto Sakurada, tenor
Christian Immler, baritone
Masaaki Suzuki, conductor